Söderköpings Medieval Fair 2017

It’s almost been a month since the yearly Medieval fair in Söderköping, and I just now gotten round to post about it, but better late then never right:-).

I’ve been attending this fair with my sister for a few years now (2014, 2015, 2016) and this year was no exception, only this year I didn’t joined the dance recital, but instead had my hand full taking care of my 1 year old son.

As always I had a bit of a trouble deciding on what to wear, but finally settled on the Elizabeth I dress l made last year.

My sister borrowed my red renaissance kirtle.

And baby Charlie wore the Henry VIII coat from last year, pared with an old red velvet hat to match.

I promised my fiancé I wouldn’t dress him to weird, and in my defence I can only say I (partially) held that promise. Besides from the coat and hat (which he needed for head covering), he wears a regular gray long sleeved t-shirt and pants pared with his autumn boots. 

*Disclaimer: This post will be full of cute (faceless) “Henry VII” baby pics – so consider yourself warned;-)

**I’m sorry about the “Floating ruff”, but the partlet was simply to hot to wear, and I’ve forgotten to bring my necklace and/or black-worked smock, so I figured it was better then nothing… :-/

We begun the day by touring the market place.
And I got a beautiful feather fan, and a book about medieval clothing that I’ve never seen before.

Then we walked the 500m or so to the camp and Medieval playground.
 There was a lot of “follow the toddler” happening.

Then we meet up with the dancing team and baby C got introduced to the whole gang for te first time.

My sister joined the dancing

And me and C watched(At least for a little while), then he was of agin… I do think we made for quite a sight.
Lots of people commented on how cute he looked, and some even wanted our picture.

After the dancing we went to get some food, and encountered the knights on our way to the restaurant.After lunch we stopped to take a break and to play a bit in the parks playground.  The slide is by far his favourite.
The we did even more exploring the townHa ha, I love that my sister tries to play with him and how he’s much more interesting in the gravel:-D  Trying to get some nice photos together… It’s harder then you’d think
Before we headed home we took another round of the market and listened to some music, Met a knight of the crusades  and looked at some more pretty things (that we didn’t buy). Renaissance ladies.
 It was such a fun day, and a perfect “first event” for C (who was in the best of moods during the day, and then slept the whole car ride home). What more could you wish for 🙂

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Henry the Eight – Don’t be such a baby

2 (or 3 months) ago, when deciding on projects for Halloween (Elizabeth I for me) I realizes that this would be the first (of many?) costumes I would make for my baby, and that I really wanted it to be special.

So what would I dress my chubby redheaded infant as for his first Halloween…?

The answer came to me pretty fast:
Hernry VIII – of course

workshop_of_hans_holbein_the_younger_-_portrait_of_henry_viii_-_google_art_projectPortrait by Holbein d.y. and the one I used as reference for my baby costume.

I started by taking a close look at the inspiration/reference pic, and flipping through the pages of “The Tudor Tailor” I found what I needed.
img_1287Male Tudor outfit.

Then I hit the fabric store in search for some suitable fabrics.15451386_10211259297419846_1297395615_nLeft to right: Brown fake fur (stash), burgundy/red singel Jersey, grey/silver printed Jersey, white knitted leggings and golden trim.

Since this was to be a costume worn (once) by an infant I decided to make it as easy and wearable (read soft/comfy) as possible, using Jersey fabrics and omitting anything complicated (like slashes) or small/sharp (like beading and pearls).
I also decided it was totally acceptabel to cheat as much as possible 🙂

My first move vas to get a pair of white leggings/tights from a well known clothing store. img_1271

Then it was time for the actual sewing.

I started with the body using a baby pattern I used previous and knew and liked. img_1266I stitched it up using my serger and a double needle on the edges.

The finished Body:img_2180I like that it is usable as a modern/regular piece on its own.

Next piece was the “skirt”, which was made from a lenght of fabric which I hemed and pleated to a elastic waistband.img_1291

The finished skirt:img_2171

Then it was time for the main piece – the cape

I cut a rektangel from the red fabric, folded it over cut it open at the front and pleated it at the shoulders. Then I stitched on some decoration.img_1261

The sleeves was made from rectangles stitched together, decorated and gathered at top and bottom. img_1264Ignore the wonkyness – I stitched this with my baby sleeping in the carrier on my belly, so not the best attention to detail.

Then I cut the fur collar from a piece of stash fabric.img_1269

img_1284Pining and stitching the fake fur to the cape.

The finished Cape:img_2182

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Lastly I made a small hat/beret from a circle and a strip of black jersey. img_1310

The finished hat:img_2179

This was such a fun project and I really love how the little coat/cape came out.

and finaly

Here’s some photos of my own prince wearing the outfit:img_1718

img_1721“Eat all the things…”

And some pics with the two of us together (Elizabeth I and Henry VIII)img_1762

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img_1827Photos: Elin Evaldsdotter

Elizabeth I – Photoshoot (Movie inspired)

Once everything for my “Elizabeth I” was finished I dressed up for the photoshoot – which just happened to be on Halloween 🙂

I’m wearing my Elizabeth gown accessoriced with my fake ermine cape, Tudor jewelry, neckruff and plastic crown and septer (and a hideus plastic wig).

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Then I removed the regalia to try to resemble the cleaner, more innocent (?) look earlier in the movie, and the edgy cover photo.

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img_2016This pic would be perfect for any historic harlequin novel – don’t you think

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img_2141Photo: Elin Evaldsdotter

A Royal Cape – Fake it ’til you make it

To turn my Elizabeth I dress into something a bit more royal, I decided to make an ermine cape.

I originally wanted to make a coronation robe like the one my inspiration painting (below), but since I only got scraps left from the dress fabric, I opted for a simpler (and more theatrical/fake) style.

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I used my old cape pattern, and a soft white fake fur I bought a few years back to made a short cape.img_1313

Then I cut small pieces of a black fur trim I had in my stash and placed them on the cape to get the ermine look.img_1345Testing the spaces of the black “tails”.

Once I decided their placement I stitched them on by hand.img_1394

An hour later the cape was finished.img_1391

The finished cape:
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The facts:

What: A fake Ermine cape

Pattern: I drafted my own.

Fabric & Notions: 0,5 m white fake fur, 30 cm black fur trim, thread, hook and eye.

Time & Cost: 2 hours (1 hours to attach the black fur pieces), about 100 Sek (10 Usd)

Final Thoughts: Not one of my finest works, but it will do for its theatrical purpose.

Elizabeth I – Photoshoot (Historic)

Before the first snow fell last week I manage to get some nice autumn photos of my new “Elizabeth I” Dress.

I’m wearing the Tudor/Elizabethian dress, on top of several layers of petticoats, bumpad and shift, and accessorized with  the new partlet,  french hood, an old neckruff and the amazing jewelry from “Evil and og“(link to blogpost). (Excuse the modern hair but its just impossible to get a nice center part with a short side bangs.)

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img_1676 Photo: Elin Evaldsdotter

Elizabeth I – Construction part 3 – French Hood

The next thing that I needed to make to complete the Elizabethan look was some kick as headwear.
And what is more associated with this time period then the french hood.

Bildresultat för elizabeth french hoodElizabeth I in “power suit” and crazy perm – and some kind of french(isch) hood.

I used the pattern from “The Tudor Tailor”, and “A Damsel in this Dress” great tutorial for the construction.

Starting by cutting the fabric from the (by now VERY limited) scraps of the golden brocade I used for the dress, cotton sheet for lining and buckram.
img_0996 I used the version with the pointed font edge, to make it a it later in style then the regular ones you often see.

Then I stitched the millinery wire to the buckram and the brocade to the now even stiffer pieces. 14215737_10210265177447468_1049756619_oAttaching the outer fabric by stitching over the piece again and again.

Then I added the lining.img_1004

And steamed the pieces into shape. img_1025Side piece/headband seen form the side.

Despite careful measuring and testing of the pattern it ended up a bit to small, causing me to eliminate the seam allowance and stitching the the back seam edge to edge. img_1026Which I then covered with another scrap piece of fabric.

Then it was time to make the billiment, using plastic and golden pearls. img_1085

img_1087Attaching the string of pearls to the edge of the cresent.

Another piece of billiment was pleated using satin ribbon and attached o the front edge of the hood.img_1303

Then I added the cresent to the baseimg_1305

and stitched the lining/bag to the back.img_1309 Here you can also see covering of the piecing at the back.

img_1306The hood from the inside

img_1300From the side.

The last thing to do was to make and attach the veil.
I used some nice black velvet cut almost in the shape of a sleeve, and attached to the back of the hood. img_1273In case you wonder, <= This is how I made almost the whole hood (carrying my baby on my body)

The Finished Hood:
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(Worn with Elizabethan dress, partlet, jewelry and neck ruff)
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Facts:

What: A 1550s French Hood

Pattern: French Hood from “The Tudor Tailor”.

Fabric & Notions: Scraps of golden brocade, cotton lining, and buckram, 1 m satin ivory ribbon, thread, 0,5 m black velvet, 2 m millinery wire, ivory and golden pearls.

Time & Cost: About 5 hours (its almost completely made by hand) and about 100 Sek (10 Usd)

Final Thoughts: I LOOOVE it! 🙂
I think this is one of my best millinery work so far. It look so nice and authentic and I had so much fun making it.

Elizabeth I – Construction Part 1

As mentioned in my previous post (Elizabeth I – costume analysis) I’ve wanted to make this dress for years, and now I finally have.

As usual I started the project looking at pictures trying to decide in which direction to go for the different elements of this costume. I already had the fabric (a golden/brown polyester furniture brocade) I got for a steal quite some time ago.14182251_10210265184327640_270599663_nInspiration and fabric

img_0440A quick conceptual drawing.

I used the pattern for the “Dorothea Body” from “The Tudor Tailor” for the bodice and cut a mock-up from a plain cotton sheet.img_0303

I added some bones and a plastic ruler down the front, and put it on.
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The it was really good (ignore the bad lacing at center back), and I felt it would give me the flat, conical shape I wanted.img_0329

Then I cut the fabric carefully placing the motifs in the perfect spots for each piece. img_0333 Cutting the sleeves, making sure the pattern placement matches on both left to right sleeve.

14247550_10210265180327540_1516791240_o All fabric cut and ready to go

As usual I started with the skirt, pinning and sewing the three widths of fabric together to a giant tube. Carefully matching the motifs at the seams.

img_1411Not perfect, but close enough.

Then I pleated and pinned the upper edge to my waist measurement, leaving an opening at center back.  img_0437

I then stitched a piece of cotton ribbon to the top as a waistband, sewed on a hook and eye and put the whole thing on my dress-form (over bumpad and several petticoats, of course) to pin the hem. img_0987 I cut and stitched the hem using 15 cm wide pieces of cotton fabric to the inside.

Then it was time for the bodice.
I started by marking and stitching the boning channels to the interlining and lining, after basting hem together.img_0400

img_0401Lots of channels to give the right shape to the bodice.

 I added the bones made from plastic zip ties. img_1024

Then I stitched the shoulder-straps together and pinned the wrong sided of the fashion fabric to the interning, and stitched the neckline together. img_1029

After turning and pressing the neckline, it was time to stitch the sides together.  img_1052 As you can see I did a small miscalculation and had to let it out a tad to get it to fit.

I continued by adding lacing grommets to the back. img_1054I choose the golden ones to match the fabric.

Once the bodice was “ready” I started on the sleeves.
After some experimenting with cover buttons I decided to skip the detail of placate and buttons on the sleeves and just stitched them together as they where.img_1057The sleeves stitched and ready (one is turned inside out).

Then it was once more time to try it on.
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I’m so pleased with the fit and shape, and I love the placement of the big motif on he front.img_1062The sleeve looks pretty good to even though it’s just pinned on.

To get he full view of the dress I put the whole thing on the dressform.img_1049Starting to look like something 🙂

I finished the bodice by hand-stitching the lover edge, adding the sleeves and making a modesty placket to go behind the lacing.img_1336Last few stitches…

And lastly I want to acknowledge the different definition of Heroes I think of when making (and wearing) this costume:

* The first and foremost Hero must of course be the late queen Elizabeth I, who made a such big impression in history, and showing that women are just as capable as men at whatever they try their hands on. I love powerful and inspirational females.

* Then I want to thank the amazing people who dedicate their life and work at researching historical fashions and styles and who make their finds available to everyone who’s interested in re-creating these fabulous garments (of course I’m thinking of Waugh, Arnold, Friendship, Bradfield, Mikhaila/Malcolm-Davies and many many more).

* I also want to celebrate all the amazing teachers who inspire us all to learn and grow in what we do. For me I count my college sewing teacher Lillian (who I still refer to when life gets hard), my mentors and co-workers at the theater atelier who taught me to have fun sewing and don’t be so afraid of doing it wrong. I also thinking of all off you great seamstresses and bloggers out there who constantly inspires me to push myself skill-wise and to try new things. I

* An lastly I want to give a cheer to all the “new to this” sewists and costume enthusiasts, and to say that you don’t have to make everything perfect (or historical) cause sometimes you just want a pretty dress 🙂
It might take a few years, but someday you will make that dress you fantasied about for so long.

The finished dress:img_1397

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Just the Facts:

Challenge: nr 10/2015 – Heroes

How does it fit into the challenge: This dress is a dedication to lots and lots of strong and capable women, and men, but most to the one and only Queen Elizabeth I.

What: a 1550s dress inspired by the movie “Elizabeth” (1998)

Pattern: Bodice pattern remade from “The Dorothea bodice” from “The Tudor Tailor”, the sleeves was copied from my previous mentor at the theater atelje, the skirt is basically just 3 pieces of fabric sewn together.

Fabric: 4,5 m of golden polyester furniture brocade/damast, 1 m white cotton for lining and interning the bodice.

Notions: Thread, grommets, 3 m of cotton cord for lacing, 20-30 zip-ties heavy for boning, hook and eye and 1 m cotton ribbon for the skirts waist.

How Historical Accurate: Not at all I’m afraid. The fabric is modern both in content and looks, the bodice pattern are okey for the period but the back lacing (bot back placement and the use of metal grommets) is all wrong and I think the sleeves are wrong to. And the fact that I stitched it all up by machine and using modern techniques don’t make it any better. I would say 2/10.

Time: About 15 hours (spread into countless short sessions over 2,5 months)

Cost: About 500 Sek (55 usd)

First worn: Late October for photos

Final Thoughts: I love this dress, even though its far from historical accurate I think it does look really good (especially with a more historical styling) and I liked wearing it. My only concern is that I need to make something about the way the bodice point wrinkles. and I definitely need to anchor the bodice and skirt together, with hooks and eyes, for my next wearing.

Elizabeth I – Costume analysis

One of the costumes I wanted to make since I first became interested in historical costumes is the yellow dress from the Movie “Elizabeth” (1998), and last year I decided it was time.
The October theme for HSM2015 was “Silver screen”,  and since I acquired the perfect fabric a couple of months before I made grand plans to make the dress during the fall.

Then life happened (Jupp, baby haze), so this summer,when I finally had the energy to once more dream of pretty dresses, the yellow dress was not far from my mid.
And then when the HSM16s theme “Hero”, lined up with an growing itch to sew and grand planes for Halloween, I knew that the time had come, at last.

So lets take a look at the Dress:

(Pictures from “Costumers guide“)
elizabeth-1It’s made in a yellow/golden brocade with a snakeskin feel to the fabric.
The bodice are stiff and ends in a deep point at center front.

ref5The skirt are worn over layers of petticoats and probably a big bumpad to get the hips really wide and rounded. It’s either parted at front over a identical petticoat or pleated to look like it’s open. I think its the later, which you can better see in other pics.

ref17The line of the dress are slim and soft with a flat bodice front and rounded hips.

ref19The skirt are pleated  to the waist all around and opens up at the back. Even though you can’t see it in this pic I’m fairly sure the bodice laces up the back (as most of the dresses in the move has this somewhat un-historical feature). You can however see the sleeves and the delicate buttons (which I later decided to leave of my version).

ref26The neckline is square with a slight angle.

ref31Behind the scenes worn with a neck-ruff.

ref23The dress is worn during the coronation styled with a massive coronation robe and beautiful regalia.

fidm1Here you can better see the pleating of the skirt and the impressive point on the bodice.

2f65df3f3eea3f0f56e60e15cd347accI’m actually not sure if this picture are of the movie original or if its a great copy but i’s beautiful on the les.

english-school-koenigin-elisabeth-i-in-kroenungskleidern-123215The painting the movie based everything of.

Jewelry fit for a Queen

Earlier this year, when planing one of the major costumes (If you follow me on Instagram you already know of which costume I speak) I wanted to attempt this year, I stumbled upon the perfect accessories in an Etsy shop:
Evil-Ogis-GarbRecycled-Rockstah*

Namely this set of Tudor jewelry.
14191863_10210265175087409_1931442235_oPhoto from “Evil-Ogis-GarbRecycled-Rockstah”

Not only did it include all the pieces I ever dreamed of (ok, minus a ginormous tiara ;-)), but you was also to chose the color of the pearls, metal and chokade pieces. Yay!

14215307_10210265175567421_107739505_oPhoto from “Evil-Ogis-GarbRecycled-Rockstah”

There was Sooo many colors I wanted (imagine Ruby red, Smaragd green or beautiful Amathyst), but I finally settled for a ivory pearl, gold metal with a auburn chockade.

In my hurry to order I accidentally hit the “Buy” button twice. Ops!
But before I had time to send an email explaining my mistake, I got a message asking if I indeed meant to buy two sets or if they should cancel one of the orders. Talk about costumer service 🙂

Then all there was to wait…

14203439_10210265181327565_285637099_o …for the package.

It arrived in a lovely box14233846_10210265177007457_1855676599_o

with all my Tudor goodies insideimg_0734

img_0737Pretty!

Lets take a closer look:

Bust piece:img_0722This was the piece that I coveted most of them all. And it looks exactly as I imaged.

img_0725Lovely pendant at the center.

Girdle:
img_0727It have a chain in back for size adjustments which is really smart. My only wish is for the hanging front piece to be a little bit longer, like you see in portraits of the time, but I get that that would give it another price.

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Necklace:img_0717

Earings:img_0712

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The complete set:
img_0707You could never wear to much jewelry, right?

I’m so pleased with the set and love the color and quality of all the pieces. And think hey look great and really authentic for the period.
And just the other day I took them for a real test drive…

*I don’t get any financial (or other) gain for promoting this site or its products, but are simply a happy customer, who like to show things I like on my blog 🙂