As I mentioned in an previous post about my sisters 1860s corset, I couldn’t resist the temptation to make one for myself (even though I didn’t need one and really didn’t had the time for it). I tried to convince myself that it would be like a workable test-run of the pattern for my sisters corset. But since I both started (and finished) it after my sisters was already done, that argument fell kind of flat.
But anyhow, I did make one for myself :-).
Wanting the fitting just right, I also made a second mock-up – based on my own measurements (instead of my sisters).
Using a beautiful cream/golden coutil from “Vena Cava designs”, and a orange cotton sheet for lining.
I sewed it up in the same way as my sisters (but I didn’t need any additional alterations), so it went faster.
Attaching the busk to the beautiful golden fabric
Oh, how I wished I’ve gotten the tad more expensive golden busk on my last order.
Isn’t it amazing when your stash yields everything you need for a beautiful composed corset 🙂 (or maybe that a sign I got to much stash? Neh 🙂 )
Pattern: “Past pattern” 1860-1880s corset
Fabric & Notions: 0,5 m cream coutil, 0,5m orange cotton for lining, 1 busk, grommets, boning (plastic and metal) 4 m cotton cord, 1 m golden lace, thread, buttonhole thread for flossing.
Time: About 7 hours – pretty fast and easy
Cost: everything came from stash, but bought new probably 350 Sek (32 Usd)
Final Thoughts: I’m in love with this corset. It’s so light yet really strong, and it’s really comfortable, and on top of that I think the colors are delightful. 🙂
Here’s some photos of my sister in her new 1860s corset.
Who knew it could be so much fun sewing guesses?
When I started working on the 1860s corset from “Past Patterns”, for my sister back in January I dreaded what was to come.
All the Guesses…
4 on each side = 8 on the outer fabric
+ 8 on the lining =16
Then of course there was the question of the Mock-up = another 8
And me, my crazy as decided that a second mock-up was needed = another 8 guesses
I must say I lost count by now, but I’m not finished yet…
For once I started on my sisters corset, I of course wanted one of my own… (but that’s for a later post)
I think the final counting (including a few that needed re-setting) lands at about 60 or so.
But lets take this from the beginning.
This winter I got an invitation to my dance groups yearly historical ball, that was to be held in May.
I immediately asked my sister if she would like to join – which of course she would.
Then we started debating what to wear.
The timespan set for this ball was 1750s-1850s, so a pretty big gap and quite an ocean of possibilities.
I decided to postpone the difficult decision for myself a few months – after all I have a wardrobe full of dresses that would do (more on my thoughts on this dilemma in a later post).
But my sister only had one or two things from previous events, which non would work for this occasion. Quickly drawn sketches of possible ways to go.
And since The time I had to spend on her dress was limited by both my family and my work, we needed to find something relatively simple to make.
So after some debating back and forth, we (despite better judgment) decided to make her a complete set of 1850-1860s evening attire.
Starting with the corset.
And here we are.
I drafted the pattern from “Past Patterns” mid 19th century stay pattern, with some alterations for my sisters and made a mock-up.
Silly me, thinking that the few bones in this corset would hold upp the cheap cotton I use for most of my toiles. No It wont do. So I made a second mock-up in a much sturdier upholstery fabric (a friend bought at IKEA and gifted to me).
Sorry no photos of the second fitting, but it looked much better.
So I cut the fabric, a beautiful light green satin I got a few years back for exactly this purpose (well, it was intended for my corset, but what do you do – sometimes sisters need pretty fabrics to ;-)).
Then I did another fitting, which I usually never bother to do, but since we where to meat for a cup of coffee I figured, why not.
That was a good call, since some adjustments still needed to be made.
I took it in a few cm at the top, let out a few at the bottom, shortened the whole thing a bit and added two extra bones on each side.
Only the bone in the middle is from the pattern.
What: a 1850-1880s corset
Pattern: “Past Pattern” nr. 708 – Mid 19th century stays
Fabric & Notions: 0,5 m green cotton sateen, o,5 m cotton interlining, 0.5 m green cotton for lining. Thread, 1 busk, boning (plastic and metal), grommets, buttonhole thread for flossing, 1 m ivory lace, 4 m of cotton cord for lacing.
Time: With the many fittings, and short work sessions late at night it took about 10 hours.
Cost: Everything came from stash (fancy that!), but bought new about 300 Sek (25 Usd).
Final thoughts: I think it came out really well, and my sister loves it. Lets just see how well it holds up on the ball room floor…
I tend to think these “make-do/repair/re-make – challenges” are pretty boring. And I never know what to make and feel kind of uninspired by the whole thing.
But then something always happens.
I guess it’s due to my ever growing costume wardrobe, and my inpatients (often pressed by deadlines) to get stuff finished, that I always end up with several entry’s for the “re-make” HSM challenges.
The first one, this time, is the fixing up of my 16th century “Pair of bodice” (corset) that I made as one of my first historic pieces back in 2013.
Mighty proud back then
Since I’ve long been dreaming of expanding my 16th century wardrobe (and just recently got both patterns and a lovely black wool for a robe) I decided it was time to go through the existing pieces to make sure they where up to speed.
2013, and just starting to ventur into the world of historic costuming
February 2017, and still a novice (tough a bit more knowable)
The corset fit me almost the same as back in 2013, but that was not enough anymore.
It needed to be fixed.
The first thing I did was to take my measurements, and they tuned out (as I expected) to be the exact same with and without the corset on. I know that the 16th century silhouette don’t call for any sliming of the torso, but a column to get the right look of the garment. But despite that I wanted to minimize my “column” as much as possible – Oh the vanity…
One of the biggest problem in this was the thick (2-3mm) plastic zip-ties I used to completely bone the bodice.
They build on to the outside of the corset to give me the bigger/same size as un-laced.
So they had to go.
Or at least most of them.
After I unripped the bias tape covering the upper edge, I removed every other bone at the front, all bones at the sides and only left a few ones a the back. I also cut the remaining bones down a god cm to make them fit better into the channels.
Cutting down the plastic boning.
Once the bones was gone I faced another problem – now the whole thing was a bit to big…
So I grabbed my seam-ripper, and got to work removing the piecing I added for exactly the same (opposite?) reason when I made the bodice.
Once almost all the upper binding was removed, I also took the opportunity to shorten the shoulder straps.
Then all that was left was to stitch everything back again.
All the facts:
Challenge: nr 2/2017 – Re-make
What: The re-make of my 16th century “Pair of bodice”
How It fit the challenge: I re-made the pair of bodice to better fit my current skill and body, making it a lot more likely I will actually wear them. I also got a lot leftover boning from the fix-up, that I can use for other projects down the line.
How historical accurate: Not at all except the shape. The whole thing is made with machine, in synthetic brocade using both plastic boning and metal eyelets (so sorry you guys…). But it is a clear example of how my knowledge and skill have grown and since they will never be seen, it don’t bother me as much as it probably should. about 3/10.
Time/Cost: About 3 hours and it didn’t cost me a thing (of one thing I gained a few cents with the opportunity to re-use the left over bones).
First worn: Beginning of Mars for photos
Finished thoughts: I’m happy that I now might finally wear them 🙂
Here comes another batch from last years Halloween photoshoot.
This time we are doing the classical vampire in my Edwardian lingere getup.
Sadly I couldn’t get anyone to play Lestat, so we had to manage on our own 🙂
This spring, when cleaning out and sorting my sewing things I found a mysterious bag among my old fabrics.
And it wasn’t until I pored the content out on the table, I realized what it was.
And cut and sewed bias tape to all the tabs – by hand.Ok, I guess grey may not be the best choice of color for matching with the blue.
For some reason, I also stitched the edges of the two back pieces – in red thread (!?).
I mean, look at that amount of work.
I remember starting this project about 4 years ago, when I (very ambitiously) decided to make a whole 1550s dress from scratch.
And since my skill and knowledge have progressed so much since then, I’m sad to admit I will probably never finish this corset.
But I´m not ready to throw it away yet either – so guess it will just go back into the ever growing pile of Un Finished Objects.
And here is the pictures of my new Stays.
My original plan for the 16th HSF challenge – Terminology, (making something from “the-great-historical-fashion-and-textile-glossary“) was to make a regency round gown, but as the deadline approached I found an old UFO in my sewing pile causing me to changed track completely.
The item that now got my sewing nerve tingling was the 18th century half boned stays from Nora Waughs Corset and Crinolines. I’d started the project about a year ago, scaled and printed the pattern, took measurements and altered the pieces . Then I left it in favor for some other, more pressing costuming need. And that’s how I found it.
So I searched “The Glossary” for some useful article and found just the one: Stays.The pieces already altered for my measurements.
I decided to keep the pieces as they were (one year old measurements and all), and pinned them to the old cotton sheet I use for mock-ups.
Then I put in some boning, and attached my old lacing strip to the back.Not very pretty, but functional.
So, on to the fashion fabric.
I used the leftovers from my previous corset en-devour (1900s S-shape).Pinning the strong sateen interlining.
The finished Stays:
Just the facts:
Challenge: nr 16 – Terminology
What: a pair of 18th century half boned stays. Read more about the origin of the word (and what differs Stays from Corsets on: http://thedreamstress.com/2013/08/terminology-whats-the-difference-between-stays-jumps-a-corsets/
Pattern: 1770s Stays pattern from Nora Waughs Corset and Crinolines.
Fabric: 0,5 m of striped cotton, 0,5 m of tightly woven cotton sateen and 0,5 m of white cotton sheets.
Notions: Thread, 13 pairs of gromets, 5 m lacing cord, 4 m of cotton bias tape, 1 m of metal boning and about 30 pieces of plastic cable ties.
How historical accurate: The pattern, material and shape of the stays are correct. But I sewed them on my machine and used metal grommets, plastic boning and modern construction techniques. So maybe 4/10
Time: About 15 hours – binding the tabs took like forever.
Cost: About 200 Sek (32 Usd). But since most of the material came from stash and was leftovers from previous projects I didn’t pay that much. More like 80 Sek.
First worn: For photos yesterday, and hopefully for an upcoming 18th century event n a few weeks.
Final thoughts: I really love the look of these stays, but they are really uncomfortable.
I need to make some alterations to make them fit better, and I’m not sure that will help, since I made them to long in the waist. I wore them for about 1 hour this weekend and the boning poking in to my hips and back was really noticeable.
And on top of fixing the ill fitting part, I accidentally burst one of the side seams of the stays while sneezing during the photoshoot (ups)…
Latley I’ve been studying the late 19th/eraly 20th century s-shaped corset. The created shape is faschinating, beautiful and seems just a tiny bit uncomfortable (more the other corsets, of course).
I will now show you some of my inspiration for my latest project – a 1900s s-shaped corset (hopefully compleated till next post).